After spending two weeks in Cuba, George Gershwin was inspired to write this masterpiece. Elements of Cuban rhythms and dance are incorporated, making this a colorful and exciting piece to play. Originally written for full orchestra, this version is expertly transcribed for two pianos, four hands by Gregory Stone. National Federation Selection 2008-2010
George Gershwin's three most famous preludes demonstrate his genius for piano writing, and portray a variety of styles. Prelude I exudes energetic syncopation, Prelude II is a lyric blues with an ostinato-like accompaniment, and Prelude III closes this set brilliantly with rugged rhythms and exciting syncopations. Arranged for one piano, four hands. National Federation Selection 2008-2010.
George Gershwin's three most famous preludes demonstrate his genius for piano writing, and portray a variety of styles. Prelude I exudes energetic syncopation, Prelude II is a lyric blues with an ostinato-like accompaniment, and Prelude III closes this set brilliantly with rugged rhythms and exciting syncopations. Arranged for one piano, four hands. National Federation Selection 2008-2010.
After spending two weeks in Cuba, George Gershwin was inspired to write this masterpiece. Elements of Cuban rhythms and dance are incorporated, making this a colorful and exciting piece to play. Originally written for full orchestra, this version is expertly transcribed for two pianos, four hands by Gregory Stone. National Federation Selection 2008-2010
